tag:blogger.com,1999:blog-54285736419155618642024-03-05T08:52:02.284-05:00The Trickster's ProjectFelix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comBlogger27125tag:blogger.com,1999:blog-5428573641915561864.post-2377370506297830632014-05-04T21:40:00.001-05:002014-05-04T21:42:32.006-05:00Before And After VFX and Color Grading<iframe allowfullscreen="" frameborder="0" height="350" mozallowfullscreen="" src="//player.vimeo.com/video/93921007" webkitallowfullscreen="" width="580"></iframe> <br />
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This is a comparison of Trickster Before and After VFX and Color Grading.<br />
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some important things to notice:<br />
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1. Color Grading: we had to make it look like the post-apocalyptic world of matrix, outside the virtual world where the sky was scorched, we recorded in daylight so we had to make it look more like night or late-afternoon with clouded sky. The original matrix series made it look more bluish, i didn't make it that much though. the greenish look that matrix have is only used inside the virtual world, but trickster happens only outside of it, where the look is more gray and bluish. We used some masks to keep the color of the actress hair and skin, also we made some masks to darken some bright areas or lighten some dark areas, for example in the interior scenes where the outside was too bright and the shadows areas were too dark.<br />
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2. CG Sentinel, Rifle, Aircraft integration: Some pftrack for tracking the camera and the rifle dummy. After rendering we had to match carefully the colors with the real footage. The rifle was difficult sometimes because i had to erase some pieces from the real dummy in the footage. In the shot where the actress is raising the rifle to aim the sentinel i had to reconstruct a piece from her face that was blocked by the dummy but not by the CG weapon. In other parts i just blacked out the dummy and it worked like a charm (lazy but effective). The rifle dummy had a little piece of plastic strip hanging around that i forgot to chop off and it was a pain in the ass to erase it in post, watching the short again i noticed that i forgot to erase it in some parts (oops!). And the guy that you see around there in some shots is me acting like a fool sentinel ;), it's better to have some physical reference for the actress to look at. And what about the sentinel?, oh my goodness! tons of work animating those damn tentacles.<br />
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3. There was a lot of vegetation in the location, we had to erase it in post (it doesn't seem to be too much vegetation in a post-apocalyptic-scorched-sky Matrix world). The smallest ones were just desaturated and the bigger ones were blocked by some CG wall or CG terrain.<br />
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4. Sky Replacement: the clouded sky was a huge HDR image that i bought on the net, i used the a 3D scene with a tracked camera to place the sky in almost all the shots, then in compositing i masked it out using the real almost-white sky as chroma-key with the help of some rotoscoped masks, taking out some trees in the background as well.<br />
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5. Some shots were just photographs, in some of them i added some camera movement in post to make it look less static and/or more dramatic. The shot in the sky where the sentinel is flying towards the camera is a photograph too, i added the camera movement making a projection over a 3d environment and animating the 3D camera.<br />
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6. One of the most difficult shot was the second one, where the Actress is walking away from the aircraft in flames. We didn't have a green chroma key background so it was tons of work of rotoscoping and it has to look perfect (we could have saved several days of work by just bringing one at the shooting day :'( ). Some CG terrain was used to cover the vegetation, in the foreground there is a destroyed wall but i didn't rotoscope it, i just deleted it completely and replaced it with a CG version of it, so it was easier to put the aircraft behind. The fire from the Aircraft is a recorded footage of real fire.<br />
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Well it was a lot of work doing it at free times at nights, early mornings and weekends but tons of fun as well ;).Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-14596677710279141802014-03-03T09:22:00.000-05:002014-03-04T11:37:31.409-05:00Trickster - The Matrix Fan film - Now online.Hi!,<br />
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Trickster is now online on Vimeo, to watch it click in the following link:<br />
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<b><span style="color: #eeeeee; font-size: large;"><a href="https://vimeo.com/88051948">https://vimeo.com/88051948</a></span></b><br />
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Some Description:</div>
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Trickster is a small Live-action short film based on the Matrix movie, it's a fan-made film to see how far we can go with our skills in Film making and Visual effects.</div>
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The project was born in 2013 when Antonio, a friend of mine, suggested to make a video with a Sentinel 3D model that i made some time ago for fun. I was hooked since the beginning with the idea, i wrote a small synopsis and then a 3 page script, the project started to grow more than i expected. At the beginning we only thought of making a small visual effects integration video and then we ended up with a 3 minute live action short film.</div>
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This project was made in Colombia, and it was shot near Bogotá using a GH3 Camera and some Rokinon Lenses. </div>
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contact: joleanes@gmail.com</div>
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facebook: www.facebook.com/thetricksterproject</div>
Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-60802538376998406742013-12-14T19:09:00.000-05:002014-03-05T19:38:10.784-05:00Music Done!<div class="separator" style="clear: both; text-align: center;">
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The previous Monday the music for Trickster was orchestrated by the talented team of musicians of the Orquesta Sinfónica Nacional de Colombia and Directed by Alejandro Ramirez Rojas. We're really impressed by their job, and very glad that they were able to work on this project.</div>
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This is Alejandro's website:</div>
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<a href="http://alejandroramirezrojas.blogspot.com/">http://alejandroramirezrojas.blogspot.com</a></div>
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And here are some pics of that day:</div>
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-49110363650594631352013-10-26T14:30:00.002-05:002013-10-26T14:38:22.921-05:00In the final stage - Rendering<div class="separator" style="clear: both; text-align: justify;">
With the big help of William Rodriguez from <a href="http://8088.net/" target="_blank"><span style="color: cyan;">8088.net</span></a> we have been able to render all the shots in 4 days, there where 9 High Performance Xeon Machines conected with backburner. In average each frame rendering time was about 30 minutes, there were some taking up 3 hours.</div>
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This is a render of one of the shots, it was done using vray, rendered with several Elements and stored in exr sequences to composite later in Nuke.</div>
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-23232153809721021402013-09-29T23:58:00.001-05:002013-09-30T00:01:24.562-05:00Aircraft - Textures & ShadersMore progress with the aircraft, i have used the same technique that was used with the sentinel and the Rifle.<br />
Using several metal, dirt and rust textures, mixing them with cavity and occlusion maps. Again vray was used for the render.<br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-42463868745498674952013-09-17T11:11:00.001-05:002013-09-17T11:12:44.550-05:00Trickster facebook pageHi!, you can now follow our updates in our facebook page:<br />
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<a href="https://www.facebook.com/thetricksterproject"><b><span style="font-size: large;">https://www.facebook.com/thetricksterproject</span></b></a><br />
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Thanks!.Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-49332453391787788182013-08-24T10:26:00.001-05:002013-08-24T10:26:35.857-05:00Aircraft - More detailsHi, Esteban is almost done with the model of the aircraft, a lot of work has been done adding details and general polishing.<br />
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Here there are some stills of the ship. some other details will be added later, it has no textures yet.<br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-27085597033766995972013-07-26T15:17:00.001-05:002013-07-26T15:17:06.963-05:00Aircraft - work in progressHola!.<br />
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Esteban Ariza who specializes in High Res 3D modeling is helping us with the model of the aircraft that we're going to use in the Trickster film, this job is still in progress, several details and texturing still remain to be done.<br />
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Here you can take a look to these stills showing the progress so far.<br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-53247957318467376022013-07-11T22:22:00.001-05:002013-07-11T23:04:12.057-05:00Lighting and Shaders ProcessHi people,<br />
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The Lighting and shaders process has begun. Here we got two previews of two different shots (Sentinel and plasma rifle). These previews don't have final comp, just a simple composition to match the colors and levels in each shot.<br />
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For each scene we are making a color temperature analysis. This process helps us to calculate the temperature of each Light in the 3D scene. All the process is done with the V-Ray engine. Also, we are making an analysis of the lights on set in order to simulate these conditions on the 3D scene. The HDRI's are used as IBL's (Image Based Lighting) to calculate GI and Reflections from each set.<br />
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<br />Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-52950007707731754372013-07-03T00:04:00.000-05:002013-07-03T00:04:50.074-05:00HDRI ProcessThis process is fundamental for a good integration in each shot. We'll need to match the set lighting conditions with the 3D Lighting Scene. For that, we'll use a IBL (Image Based Lighting) system with a spherical High Dynamic Range Image (HDRI). Each HDRI's were taken in each set where we filmed.<br />
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We used a bracketed sequence of pictures with different exposures. Each HDRI was merged in Photoshop and warped to spherical panorama in HDRShop.<br />
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<br />Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-76246714296407130452013-06-28T19:00:00.004-05:002013-06-28T19:00:45.573-05:00Tracking ProcessHi guys, the tracking process is done!.<br />
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The tracking process was used in each shot of the Shortfilm to track the rifle, the sentinel and to get the info camera.<br />
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At the moment, we are in the Animation Process. This process is almost done. Soon, we'll post some info about this topic.<br />
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<br />Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-54187471901398954182013-06-25T12:35:00.002-05:002013-06-26T21:37:20.461-05:00Color Grading ProcessHi people,<br />
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We are in the process of color grading of the short film with ASSIMILATE SCRATCH V7. Here a little shots of this process. Our Senior Colourist Jorge Román is working hard on the whole issue of Look and Feel and color correction.<br />
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Parallel to this work, we have the process of tracking and animation of the different shots. Soon we will be showing more of this process.<br />
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<br />Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-63704426519011338762013-05-27T14:15:00.000-05:002013-05-27T14:27:29.015-05:00The last filming day of Trickster. Hi people, I just want to tell you that we successfully finished the short's filming. The experience was incredible. The whole production team did their best. We filmed the entire short in this cool setting and we got nice memories of this process. Now comes all the post process that will be very challenging. We will give the best of each one to achieve this goal.<br />
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Best regards.<br />
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<br />Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-84110086069718431462013-05-20T20:50:00.004-05:002013-05-20T21:00:45.297-05:00First Filming day of Trickster.<br />
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Yesterday was our first day of filming, it was harder than we expected, but a lot of fun though!, we learned a lot about film production from this experience.
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Our actress is Brigitte Hernández, she has worked on several TV shows, comercials and film. Daniel Angarita is the director of photography and camera operator and Juan Felipe is the Film Assistant Director.
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In the Location was Antonio Mendoza and Jonny Munevar supervising VFX and Jhon Barragan as sound operator. My Brother Diego Joleanes helped us a lot in the production as well.</div>
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Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-83923821981729066292013-05-17T15:26:00.001-05:002013-05-17T15:38:07.308-05:00First Color ApproachJonny Munevar is going to help us with compositing for the film. we have got some photographs from the location where we're going to film the short, and he has done a little compositing test.<br />
<br />By JONNY MUNEVAR.-<br />
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This is my first color approach from the location photographs. There's a lot of clean up, mostly the plants and bushes that there are around in almost everywhere, because you know, there's no vegetation in the matrix universe. It has a heavy day to night conversion, the original photograph is in a sunny day and we need to create a big dark atmosphere. The challenge is darken up the image without losing detail, so i put some light points that helps to show up a little bit more of detail and depth, as the bright red and blue lights behind the structure.<br />
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<span 13px="" arial="" font-family:="" font-size:="" sans-serif="">There's a lot of work ahead and we're very excited for the shooting this weekend!</span><br />
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<span style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px;"><br /></span>Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-64396885301412791222013-05-15T23:17:00.000-05:002013-05-15T23:17:02.037-05:00Trickster Backstory<br />
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We're going to film the short this weekend!, everything is ready, we got the equipment, the location, and the actress.</div>
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Meanwhile i will tell you a little story, a little introduction of what happens just before the short begins...</div>
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After Neo's sacrifice, the conflicts between the humans and machines continued in several levels. The Cypherites were an organization of humans that betrayed Zion, Just like Cypher they wished to be connected back to the matrix. </div>
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Blue Dreamer is the last remaining Ship of the Cypherites, it was commanded by Veil, who was one of the most important members of the traitors. A Girl called Maruth was part of the crew as well, AKA Trickster, she had the mission of spying the cypherites and capture or kill the leader of the organization. Veil somehow knew that her life was in danger, so she tried to meet the machines to deliver herself and her crew to re-insertion into the matrix. Maruth responds by killing all the crew, but when she tried to finish Veil the ship lost control and crashed somewhere outside in the surface. </div>
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Maruth is the only survivor and her only hope is to be rescued by a Ship from Zion before being found by the sentinels.</div>
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What will happen next?... we'll know that soon.</div>
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Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-36754642147091691082013-05-03T23:12:00.003-05:002013-05-03T23:12:40.485-05:00Sentinel AnimationJhon Barragan will be helping us making animations of the sentinel in the Trickster shortfilm. He has made a little animation test to see how the sentinel rig is working, so far we have found some issues with the rig thanks to this test and they have been fixed, now we have a rig more suited for the animations in the film.<br />
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This is the animation test:<br />
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<iframe allowfullscreen="" frameborder="0" height="321" mozallowfullscreen="" src="http://player.vimeo.com/video/65441560" webkitallowfullscreen="" width="570"></iframe> <br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-54997401109995781642013-04-25T09:52:00.002-05:002013-04-25T09:52:26.098-05:00Sentinel integration testAntonio made the match move and render of a little integration test with the sentinel. I guess i'll be a little scared when going for my bike in the parking basement after watching this.<br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/64787890" webkitallowfullscreen="" width="500"></iframe> <br />
<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-82554397341899974052013-04-13T09:41:00.000-05:002013-04-13T09:54:02.756-05:00Preparing toysWell, the toys are almost ready for filming day. I got some cheap equipment (well cheap in comparision of what a real film production would use). a Panasonic GH3 camera, some Rokinon Prime lenses, a shoulder rig for stabilization, follow focus, a fancy matte box, some filters, and a fancy slider for some fancy mini-dollies. I was thinking of buying these for a shortfilm that i'm going to make besides this mini-matrix based fan-art video. I am broke now but at least i can brag about it XD.<br />
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I prefer buying this equipment insted of renting better ones or borrow them because you don't have any production freedom, you are limited for a day or two whenever they want to borrow or rent them, besides one day of renting an Alexa or Red epic with lenses cost more than what i bought here.<br />
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Anyway these cheap cameras have a great film look for video, you can take a look at vimeo to see a bunch of fantastic videos made with these cameras.<br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-14298506478666159102013-04-11T19:41:00.002-05:002013-04-11T19:52:45.982-05:00First Match move testI'm getting more excited with this test, it seems like the boring and repetitive task of matching trackers in PFTrack is somehow becoming fun. Yeah, it's that same geek fetish that some people have when enjoying making UV coordinates and Skin vertex weights, crazy right?.<br />
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Jokes aside, here's a test render, i haven't made the rotoscope yet by the way:<br />
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<iframe allowfullscreen="" frameborder="0" height="281" mozallowfullscreen="" src="http://player.vimeo.com/video/63866398" webkitallowfullscreen="" width="500"></iframe> <br />
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While making this test we realized some things that need to be fixed:<br />
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- Dummy too big, i will chop off the barrel, the top and back handles, that will also help to avoid rotoscoping those parts.<br />
- The match move was not perfect in the bottom handle, a track marker there has to be used all the time.<br />
- Some weight has to be added to the dummy as some people suggested, the movement seems a little fake because of that.<br />
- I'm considering to paint the handles green to be able to chroma key them.<br />
- Other minor render and composite adjustments.<br />
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In this test there were like 4 markers that were tracked at a time, how was i able to achieve a decent track with so few markers?. The best way to do it is to survey them, measuring their position in x,y,z in respect to the dummy weapon, with that extra data PFTrack is able to match move the dummy more accurately with a few markers. But measuring their physical 3d position looks like a very complicated task, instead i took several pictures of the dummy from several angles, PFTrack can take those pictures and figure out the 3d position of the markers. Pretty neat, isn't it?.<br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-13490500322646362782013-04-10T22:37:00.000-05:002013-07-03T09:47:21.168-05:00Playing out with integrationOk, so we were making some tests with the dummy weapon, trying to integrate the cg weapon with the live-action footage. We used a worst case scenario, recording in the basement with poor light conditions, so far so good.<br />
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Antonio made this test still render:<br />
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The best way to achieve a good integration was matching the same lighting conditions using a spherical high dynamic range image (HDRI). I got one of these mirrored ball on amazon, these are used as garden ornament, pretty useful though. This one is too small so it was hard to get a sharp image but in this case we don't need that extra level of detail for lighting and reflections.</div>
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I used a bracketed sequence of pictures with diferent exposures, merged to HDR in photoshop and warped to spherical panorama in HDRShop.</div>
<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-25167878846994155252013-04-05T01:03:00.000-05:002013-04-05T01:03:01.140-05:00Making the dummy Rifle<br />
We're going to have a real actress holding the cg rifle, but to be able to achieve a convincing shot we have to use something for the actress to grab to, then we could match move that object and replace it with the cg version in post.<br />
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I have to admit it was a fun thing to do, going outdoors, buying stuff in the hardware store, using working tools and painting, yeah... now i know what it feels like to be human... ;)<br />
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I have made a making of with some of my experiences (in spanish - subs in english), check it out.<br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-75274450789986399132013-03-30T22:54:00.004-05:002013-03-30T22:54:54.236-05:00Now Polishing Sentinel texturesHi there!,<br />
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The same work that was done with the rifle was done now with the sentinel character, using the same texturing technique. I have to admit the extra work worth it, now it looks scarier and more dangerous.<br />
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Here there are some stills:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaj1KH_ZStXes9kU1t9oIktE7hrjSReHZK7wY2M6k96AwAO1i8K8EvG50UbD1U4lo6fIQLSKj0LpYzYZ8UlnHmYBR6MzdSWeevBuSDspkRuLmpTj4mbose3lI0qI8y86gDOt4FpQlxbP8/s1600/Sentine_Test_Still_0003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaj1KH_ZStXes9kU1t9oIktE7hrjSReHZK7wY2M6k96AwAO1i8K8EvG50UbD1U4lo6fIQLSKj0LpYzYZ8UlnHmYBR6MzdSWeevBuSDspkRuLmpTj4mbose3lI0qI8y86gDOt4FpQlxbP8/s400/Sentine_Test_Still_0003.jpg" width="400" /></a></div>
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And here there is a video sequence:<br />
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<iframe allowfullscreen="" frameborder="0" height="309" mozallowfullscreen="" src="http://player.vimeo.com/video/63017110" webkitallowfullscreen="" width="550"></iframe> <br />
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Regards.<br />
<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-22901367808186840412013-03-26T23:28:00.000-05:002013-03-26T23:32:06.943-05:00Polishing the rifle texturesOk, after some awesome feedback that we got, we had to make some adjustments. So i polished the rifle textures, the previous textures were too "flat" and "boring", they needed more "Veneno" (cool name for the last lamborghini by the way).<br />
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Some dirt here and there was added, some material wearing down, and some additional work on the shaders. This extra texture work was not made manually, i mean, i didn't spent the night drawing by hand all the dirt, all the material wear and scratches. I hate wacoms, yeah... i know, i know, i must be crazy right?. Instead, i used a sort of procedural way, with the help of the occlusion and cavity maps, i mixed some dirt and scratches textures and voilà!, the job was done... yeah i wish it was as easy as it sounds...<br />
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Here there is a render still:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRffzIXlP61bBjH_XBWCpWsy69TgMyT6iydENvGzulmHZRkHciNnA7x3iA1HGphbzBYlf7urgjvdfO-Sc-Sf4IVrFNGKlW5v418vf2vLxCE_Fl42IAd885dHmhA2-n6YsQB0o_G9s3PGA/s1600/Rifle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRffzIXlP61bBjH_XBWCpWsy69TgMyT6iydENvGzulmHZRkHciNnA7x3iA1HGphbzBYlf7urgjvdfO-Sc-Sf4IVrFNGKlW5v418vf2vLxCE_Fl42IAd885dHmhA2-n6YsQB0o_G9s3PGA/s400/Rifle.jpg" width="400" /></a></div>
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And Here there is a turn around video:<br />
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<iframe allowfullscreen="" frameborder="0" height="309" mozallowfullscreen="" src="http://player.vimeo.com/video/62758419" webkitallowfullscreen="" width="550"></iframe> <br />
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<br />Felix Joleaneshttp://www.blogger.com/profile/06696638934417464038noreply@blogger.comtag:blogger.com,1999:blog-5428573641915561864.post-64366938414126789962013-03-20T16:21:00.002-05:002013-03-20T16:24:31.921-05:00SENTINEL - Our first approach<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Trebuchet MS, sans-serif;">Hi, I'm Antonio M. and here I'm posting some stills of the Sentinel, t</span><span style="font-family: 'Trebuchet MS', sans-serif;">he shortfilm villain who will try to end the life of the actress.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><br /></span><span style="font-family: Trebuchet MS, sans-serif;">Our first approach to the look of this machine ..</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><br /></span><span style="font-family: Trebuchet MS, sans-serif;">This sentinel interact with the scene and will have a lot of work by the animators and riggers who try to spice up this character so representative of The Matrix.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><br /></span><span style="font-family: Trebuchet MS, sans-serif;">This character will be the biggest challenge of our animation work due to the complexity of the 3D model.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><br /></span><span style="font-family: Trebuchet MS, sans-serif;">We hope to achieve this great challenge and animation to give life to as sentinel in the film and to convey the same sense of power of this killing machine.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><br />This Sentinel was made by my friend Felix Joleanes (3D Model and Rig). My Work: Shaders, Lighting, Render TD and Compo.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMAxMEVFOAvCUa5-p_nHxsSnYEbk2tVjh8_XsSQLG0N_wf0OXqVgpB5VsVNxsRDg6k90_n-N4FWsAp4wTRC2kH3cgV1DCDf4cqxbhwff-5Fjg6-cQWYFSHgKIyy39-Kovf2zhM1ZrK6-za/s1600/Sentinel_V01_03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMAxMEVFOAvCUa5-p_nHxsSnYEbk2tVjh8_XsSQLG0N_wf0OXqVgpB5VsVNxsRDg6k90_n-N4FWsAp4wTRC2kH3cgV1DCDf4cqxbhwff-5Fjg6-cQWYFSHgKIyy39-Kovf2zhM1ZrK6-za/s400/Sentinel_V01_03.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu38pmiSe6TTyPO4UMG1Ticyzy15qUk5EAgndSDJA1Z0VoXSKDrvVijml6GFnYjMcvzjcGoBQEseqAeWF2B599oNu3G1akIA9ESUMLWWTSyguN-NDQa-GZhJfIOm7pHE-ewtmk24x6DUOc/s1600/Sentinel_V01_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu38pmiSe6TTyPO4UMG1Ticyzy15qUk5EAgndSDJA1Z0VoXSKDrvVijml6GFnYjMcvzjcGoBQEseqAeWF2B599oNu3G1akIA9ESUMLWWTSyguN-NDQa-GZhJfIOm7pHE-ewtmk24x6DUOc/s400/Sentinel_V01_02.jpg" width="400" /></a></div>
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<br />Antonio Mendozahttp://www.blogger.com/profile/18356001308653955387noreply@blogger.com